"It is disturbing to observe the adverse effect of some U.S. policies on the less-developed nations. Despite helpful contributions of USAID and military assistance in Mali, for instance, the grossly exorbitant cotton subsidies for mega-farms in America cost the country far more than all the combined assistance from rich nations. Malians produced more cotton last year than any other African country and it is their number one export, but they had to sell it with no profit in order to compete with the heavily subsidized U.S. crop. Also, there is a heavy-handed effort by Washington to force other countries to violate the basic premises of the newly established International Criminal Court. Our government threatens to withhold military assistance unless they will guarantee that U.S. citizens be immune to possible punishment for war crimes or other atrocities. Another interesting development has been the efforts from Washington to elevate the issue of terrorism, and American diplomatic officials are forced to participate in this over-emphasis. We were warned strenuously about the new terrorist dangers that had arisen when we planned our visit to Timbuktu and Mopti. I decided that we would take a chance, and when we met with representatives of a dozen donor agencies in Bamako, I asked if any of them had any evidence of increased violence in the area or terrorist threats. The unanimous response was laughter."

Watching my clients, I have come to a much better understanding of creative people. El Greco, for example, must have realised as he looked at some of his early work, that "good artists do not paint like that." But somehow he trusted his own experiencing of life, the process of himself, sufficiently that he could go on expressing his own unique perceptions. It was as though he could say, "Good artists do not paint like this, but I paint like this." Or to move to another field, Ernest Hemingway was surely aware that "good writers do not write like this." But fortunately he move toward being Hemingway, being himself, rather than toward some one else’s conception of a good writer. Einstein seems to have been unusually oblivious to the fact that good physicists did not think his kind of thoughts. Rather than drawing back because of his inadequate academic preparation in physics, he simply moved toward being Einstein, toward thinking his own thoughts, toward being as truly and deeply himself as he could. This is not a phenomenon which occurs only in the artist or the genius. Time and again in my clients, I have seen simple people become significant and creative in their own spheres, as they have developed more trust of the processes going on within themselves, and have dared to feel their own feelings, live by values which they discover within, and express themselves in their own unique ways.