Xanadu 2012: We Are The Wall!    
 We Are The Wall!4 comments
20 Mar 2006 @ 15:56, by swanny

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20 Mar 2006 @ 15:56 by swanny : The Wall...
WE ARE THE WORLD

WE ARE THE WALL

March 20, 2006
Canada

(Strangely enough, the above may be somewhat
true. In terms of perhaps how the Earth, if it could
and does, would probably see and relate to us.
It would probably identify with us more as a wall
or as builders of walls. Yet then too, is not the builder/s in a
sense the building? So then in a way, the following song
is kind of an acry against the building, the establishment,
the wall, yet in more ways than one, we the acriers
are crying out against ourselves.)


The Wall

Produced by David Gilmour, Bob Ezrin, and Roger Waters
Released November 30, 1979
Recorded in Super Bear Studios between April and November 1979 Sleeve Design by Gerald Scarfe and Roger Waters

Another Brick in the Wall Part 1 (Waters) 3:41

Daddy's flown across the ocean
Leaving just a memory
Snapshot in the family album
Daddy what else did you leave for me?
Daddy, what'd'ja leave behind for me?!?
All in all it was just a brick in the wall.
All in all it was all just bricks in the wall.

"You! Yes, you! Stand still laddy!"











Another Brick in the Wall Part 2 (Waters) 3:56


We don't need no education
We dont need no thought control
No dark sarcasm in the classroom
Teachers leave them kids alone
Hey! Teachers! Leave them kids alone!
All in all it's just another brick in the wall.
All in all you're just another brick in the wall.

We don't need no education
We dont need no thought control
No dark sarcasm in the classroom
Teachers leave them kids alone
Hey! Teachers! Leave them kids alone!
All in all it's just another brick in the wall.
All in all you're just another brick in the wall.

"Wrong, Do it again!"
"If you don't eat yer meat, you can't have any pudding. How can you
have any pudding if you don't eat yer meat?"
"You! Yes, you behind the bikesheds, stand still laddy!"  



21 Mar 2006 @ 14:32 by nraye @80.176.105.234 : From the Ramparts
From the Ramparts

Of NCastleN: exploring the exterior landscape and views of a huge structure, in exile. It is not possible for me to get to my log, perhaps you could put this there?

In the mind’s eye NCN is likened to a particular window on the world. Or rather windows, as many as the individual units allow and not the single entity of its sometimes’ claim. The window frame was first employed (designed) by the Venetians. They used it as a continuation of the building design in detail, to enhance or individualise pictorial contents of the owner. The Venetians can be said to be foremost amongst historical peoples in thinking up money making schemes as a means of island survival, the picture frame being one of many. (There is a current book on the survival tactics of Venice, another being when really out of pocket to offer residence to European Jews in order to attract their capital, the place given over to them was already named the Ghetto). Who’s to say if these views are prejudicial in any way?

It has other claims to Ideas and Creatively. Do they not know the dependency of this on hotbeds of accidental ferment, complete tolerance and compassion between artists, making invisible bonds, foundations and gardens for the right things to grow? Venice was progressive in all the Arts, progressive artists sought its refuge and found patronisation. Venice was the recipient for 200 years between the sackings of Constantinople of the ancient Roman, Greek and Ahmeriac texts and artefacts, a vital staging post of the whole Renaissance movement. To recognise items of value from kindling wood is a giant step towards greater creativity for the good of all. That is, if the Renaissance is considered as such.

Today in new yoga with closed eyes the invisible Arc from shoulder to shoulder appeared, (top of a square) these represent functionings lower down below the waist (bottom of the square) with the uppermost circle part being the mouth. So the Invisible circle of that square actually has a round solid mouth in its antithesis, is this not full beauty functioning The next invisible circles to appear were those on each side of the body, and where they overlapped, being in the most defended position, in that oval in a straight line was the spine. So that the outer sides of the body being part material and part invisible come together at the mid point as the extra solidity. Incredible, just to breathe into this area. The invisible square represents the logic and strength applicable and the round the materiality, just the thought seems to aid levitation!! The yoga increases the tensioning of the invisible rounds, aka awareness eventually into the infinite, and simultaneously firming the materiality corporeal, for they inextricably linked. And Function follows Form, not not visa versa.

In achieving simultaneity in design the soundings of the material solidity, not an echo of a mountain hollow, but the invisible circles of the rectilinear forms (a tensioning) together with decorative detail either of structure or ornament (counteraction of free radicals) allows momentarily constant time in human awareness (a recognition between tensionings)(a similar reaction between horse and rider, in which here each carry an increased awareness based on two organic structures while functioning as one unit, to mutual pleasurability and intelligent advancement).

This Swanny, is the method I would assess the rather excellent example of a modern building you placed in this project. That is without knowing what is going on inside with reinforced concrete slab structure with skin cladding. The ratio of window to façade outside is formed with a secondary grid of completely independent harmonic tensionings in their invisible circles, otherwise they would not be heard, not exist, or recognised through the eyes registered in the brain, and existing, for a brief moment in time. Say the window tensioning (in antithesis - window hollow) were identical, there would be a heavy compression feeling towards the structure as this tensioning would be felt by the sensitive, alive tensioning of the body. A dwelling box, very very cleverly found and selected.

Aside: Classical build is seen to almost float in defiance of its bulk on the earth surface, and appear smaller than it is. The non-so is seen as an enormous thing, even if of glass and light, pressing heavily on the ground. Just to explain further, Gothic (Romantic) structure on the other hand is seen as emerging up from the great depths of the earth, everything about it strives upward, as if to free itself of any earth connotation whatever.

 



21 Mar 2006 @ 15:06 by swanny : Really?
Its not for rent is it?

*smiles*

In my dreams perhaps I have always wanted to live in a castle
by I hear they're rather drafty.  



29 Mar 2006 @ 12:46 by nraye @80.176.105.234 : Back to the Wall
A Meta Log - A graffiti - if I may - from the cold.

Quote from www.cnp.org.uk (Council for National Parks)

How Natural?

Late 2005 saw a bewildering High Court judgement passed to exclude land at the Hinton Estate from the New Forest National Park boundary. Essentially the Court picked up on the lack of definition of NATURAL BEAUTY in the 1949 legislative criteria for National Parks and AONB's (areas of outstanding nat. beaut), and the judge invented his own definition which he defined as "a high degree of relative naturalness". That left the Hinton Estate, with its dairy farmland, ornamental parkland, woodland and Grade 1 listed building, out of the National Park because such land is obviously influenced by man. Of course, the judgement has no bearing on the reality of National Parks or (AONBs) in the UK as all landscapes are a product of man's influence over the millenia. Therefore the government has lodged an appeal and is seeking to clarify the definition of natural beauty in the Natural Environment and Rural Communities Bill. CNP supports such an action."

No castle I'm afraid!  



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